One of the facts of life is that we cannot change the surrounding reality. We cannot stop or speed up time, nor can we exchange a tragedy for an outburst of good fortune.
What we can and often do is comment on it with words and images. But that’s not all! We subconsciously compose music to accompany scenes from our everyday life.
When illustrating, we often use well-known, popular compositions, which remind us of our experience of pain, joy and reflection. We even sometimes hear sounds played by the world.
Why do we need music to accompany image? Does it work as a spell? How do I work on film scores? I will try to tell you all about that.
Mikołaj Trzaska – born in Gdańsk, saxophonist, bass clarinetist and composer, grew out of yass – a socio-artistic movement that in the 80-ties/ 90-ties opposed the rigidity of Polish jazz environment. Together with Tymon Tymański and a group of other musicians free from any doctrine they changed the image of Polish jazz music. Trzaska was the co-founder of the most important yass group – legendary Miłość and of as creative Łoskot. Although the impetus of yass faded away many years ago he became the leader of national improvisation scene. After the yass period he recorded a few concentrated and quiet albums with the section of Oleś brothers. He also accompanied poets – Świetlicki and Andrukhovych, he created muical – literary projects with Andrzej Stasiuk. Today he is the leader of international trio Volumen and the member of among others Resonance of Ken Vandermark, Magic – Joe McPhee or Shofar trio with Raphael Rogiński and Macio Moretti – playing Jewish music. But above all he realizes himself in the radical contemporary free jazz. He travels around the world cooperating with personalities of world improvisation among others with Peter Brötzmann, Joe McPhee, Ken Vandermak, Peter Friis Nielsen, Clementine Gasser, Pete Ole Jorgensen, Michael Zerang, Franz Houtzinger, Jay Rosen, Domik Duval, Mark Sanders. He has recorded around thirty albums.